Dating a rickenbacker
It has all the features of its brother just above; however, it appears that the original finish was removed and the body and neck has been professionally refinished in a Autumn Gold (a transitional finish color between Autumnglo and Fireglo).Note the flame-maple butcher-block style 11-piece top.Like the Polynesian and the Longbody Capri, above, it has one pickup selector switch, two knobs and a single pickguard; unlike them, it has the f-hole soundhole, which was featured on most 325s of that era. This early 345 model differs from the 335 in that it has an extra “middle” pickup. This early example of Rickenbacker’s foray into the world of electric bass guitars would be the template on which the 4001/4003 line of basses would be built, with only a few fundamental structural changes through the present day. This stunning example is in excellent shape with beautifully flamed maple wood front and back. 1960 Rickenbacker Combo 450 in Fireglo with gold metal pickguard and silver metal truss rod cover stamped with “Rickenbacker” logo in excellent condition. This particular guitar also comes with the sax strap (see photo). The badge on the bass horn is a custom nameplate from a previous owner. It also has the “sax strap” ring on the back, common to the 400-series Combo models. 1958 Rickenbacker Capri 330 in Mapleglo; original body finish, neck refinished; refretted padauk fretboard; roller bridge and trapeze tailpiece; original case.This guitar was one of the last of the model 325s made in 1958 and is in excellent original condition with its OHSC. This early 335 model has the features of the early Capri/Combo prototypes -- single gold pickguard, Combo-style wiring, Kauffman vibrola, one-piece neck and an extra-long âcrescentâ soundhole. This is a very early example bearing the serial number 3V121. Note the thru-body one-piece neck with Walnut headstock wings, magnetic horseshoe pickup, over-sized ½” diameter tuning pegs with “Elephant ear” tuning machines, w/b/w nut, metal V/T knobs and tug bar. 1956 Rickenbacker Combo 400 in Brown; early solid body model with neck-through construction, gold metal pickguard and early single-coil pickup in neck position. 1957 Rickenbacker Combo 400 in Jet Black (later “Jetglo”); early solid body model with gold metal pickguard and early single-coil pickup in neck position. 1957 Rickenbacker Combo 450 in Cloverfield Green; rare color; early solid body model with gold metal pickguard and two single-coil “toaster” pickups in bridge and neck positions. 1958 Rickenbacker Capri 335 in Mapleglo; original body finish, near mint all original example; padauk fretboard; roller bridge and Kauffman vibrato tailpiece; OHSC.Its unusual length required a short “extension” piece to complete the bass horn.
Black neck binding and fine finish checking throughout; early serial no.
See additional detailed photos and information regarding this particular guitar on pages 20-21 of “” (1995) published by Rittor Music, Japan. This guitar has a rare “matte” Fireglo finish found on some early 1960 models (see 330F Fireglo 1960, above).
This guitar is in near-mint original condition with its original HSC. This is one of the approximately 30 model 325 guitars made by Rickenbacker in 1958, and has survived in excellent shape with its original Two-Tone Brown finish. Along with the early Combo 450 model, the short-scale model 950 is one of the few Rickenbacker guitars with two pickups but one volume and one tone control. This early “Tulip” model – so called because of the shape of the body horns – has the “sax strap” ring and hook. This short-scale model has the least frets of all the short-scale models; as opposed to the 900, 950 and 310-325 models which were short scale with 21 frets, this model is short scale with 18 frets. This transitional 950 is finished in a rare non-traditional dark reddish brown color with a slight burst effect on the sides. It is all original with a short-scale neck, “tulip” body metal truss rod cover and plastic Kluson tuner buttons.
It has an extremely attractive flame-maple butcher-block style top with single gold pickguard, Combo-style pickup selector switch and tone selector switch, volume and tone knobs and a Kauffman vibrola.
Unlike the full scale Capris that followed, it is distinguished by a Combo-style wiring and one-piece neck with no middle “walnut” stripe, an extra-long “crescent” soundhole, first introduced on this guitar, and a wooden cap on the neck heel that extends over the body binding. This guitar is identified as a 1957 model and depicted in a color photo on page 104 of “” (1987) by Richard R. This guitar is in near-mint original condition with its OHSC.